91.2%
100%
99.25%
98.39%
97.97%
97.75%
95.59%
95.28%
95.02%
94.82%
94.57%
93.84%
90.81%
90.13%
85.71%
84.64%
82.14%
0%
| STIL comment | "In 1988, as mentioned, I did The Last Ninja 2 for System 3. I did the Central Park tracks first, which was important in order to stamp some sort of "sound" on the game. It basically took from mid-January until early April to finish. It's about as big a project as you would want to undertake, but everything just seemed to work without any real hitches. I was given a fairly free hand to produce what I thought would be most suitable and luckily, every time I took in new tracks for each level, I got the thumbs up. It was a great time for me personally, to suddenly be working full time on C64 music. I was almost 18, but I had no real worries in the world beyond whether I could afford to buy a better car. I think the entire The Last Ninja 2 soundtrack is my proudest achievement, especially the Central Park tracks, as they seem to mean so much to so many people. The project itself was a pleasure to be part of. The whole team involved were probably at the top of their C64 game at the time, from John's programming to Hugh's fantastic graphics, Tim's storyboarding and of course Mark's overall vision and commitment. It's amazing that we're still talking about it nearly 30 years on." (MDG) |
| SUBTUNE INFO | |
| #1 - Central Park (loader) | |
| #2 - Central Park (in-game) | |
| #3 - The Street (loader) | |
| #4 - The Street (in-game) | |
| #5 - The Sewers (loader) | |
| #6 - The Sewers (in-game) | |
| Title: | Kentilla (3:31-6:08) |
| Artist: | Rob Hubbard |
| Comment: | Only the part from 6:10-8:36 in Kentilla is covered here, mostly the bassline of it. It is quite possible that both Kentilla and this tune are covers of a third one, though. |
| #7 - The Basement (loader) | |
| #8 - The Basement (in-game) | |
| #9 - The Office (loader) | |
| Title: | Beat Dis [from Into The Dragon] |
| Artist: | Bomb the Bass |
| Comment: | Bits and pieces, not the whole music. The bassline mimics the original pretty well. |
| #10 - The Office (in-game) | |
| Title: | Midnight In Tula [from White Eagle] |
| Artist: | Tangerine Dream |
| Comment: | It's not a complete one-to-one implementation, 'cause Matt added some of his own flavor to the muse, but it's quite obvious where he got the idea from in the first minute or so. ;) |
| #11 - The Mansion (loader) | |
| #12 - The Mansion (in-game)/The Final Battle (in-game) | |
| Title: | The Wastelands [from the C64 game The Last Ninja] (4:10-4:25) |
| Artist: | Ben Daglish |
| #13 - The Final Battle (loader) | |
smelnik:
Great mix
Ultra Maximum Prime:
C'mon, its not that bad. It does need a little tweaking but I think its quite funky and I enjoyed listening to it. Perhaps the tempo could be a little higher and some of the samples could have a little more 'oomph.'
dream_19:
If I were a producer of Last Ninja - The Movie I would use it as a part of the score. Including some post-production and slightly improved mixing. Not perfect, but the arrangement is great, but lacks some more power.
anaconda:
Needs more power!
condor:
Idea is OK, it just lacks final production touches & some slightly different sounds.
eliot:
Some fresh ideas proove this is not average… Even some instruments are weak.
omoroca:
This one shows talent and ambition, but the mixing is too flat and boring to get a better voting than yellow.
prowler:
Good work, but weak masterting…
LaLa:
Some neat ideas in there (like the funky-style rhythm), but the overall mix is muddy and some of the instrument selection is questionable. Lots of potential here, but it needs more work.
marco p:
Good remix
LMan:
Laid-back, funky arrangement. Lacks on the technical side.
cinemaniac:
Sorry, but it all just sounds too weak. The premises are there but not the realisation.
Dan:
Needs a lot of work done on the production side
klosterkatten:
So many Last Ninja tunes out there, so the requirment to make it great would be pretty high standard. Average at best.
Waz:
This sounds like a remade XM. Even if it isn't, the mixing lets it down. The lead is pretty weak, and the arrangement just doesn't do that much. It's okay, but in a world of lots of LN mixes, it has to be outstanding to really grab the attention.