95.04%
100%
96.43%
95%
94.74%
94.4%
94.12%
93.35%
93.06%
92.94%
92.03%
90.38%
89.95%
89.32%
88.39%
87.8%
87.6%
87.5%
85%
84.44%
83.18%
82.2%
81.25%
80.5%
| SUBTUNE INFO | |
| #1 | |
| Comment: | The opening bars of this tune are sampled by the group Console on their song "14 Zero Zero". |
| #3 | |
| Comment: | "I was working at the Sensible Software office at the time of the major music creation, but the title screen music never got finished. When I returned to Ocean I got on with some other things, all the time worrying about this unfinished tune. Finally I slapped something on the end of it. I knew I could never top the first part, that's what the problem was. In my mind the second part of the tune is pretty lame compared with the first part. But for some people it represents the mysterious, magical, unconventional aspect of 'Wizball' so it fits in some ways. But you can tell it's not really like the other music in the game, which was primarily developed when I was with the Sensi boys, basking in that Sensi VIBE." (MG) "I really worked on the sound design of the voices a lot. The music seems to "flow" and "breathe" unlike anything before it." (MG) |
| #4 | |
| Comment: | "Tune #5, the bonus screen tune, consists of several short riffs, and John Hare came up with the most musical ones on his bass guitar. I remember he would come up with the riffs, playing them over and over at full volume on his band's P.A. in their rented terraced house in Southend (not caring about what the neighbours thought!!!) - and while they went out to get me a "blow-out" burger at 3am, I would be transcribing it and enhancing it (a little)." (MG) |
| #6 | |
| Comment: | "I composed the high-score music at Ocean after returning from Southend. Played it on the synth keyboard there. It's one of the few compositions of mine that I can actually play a decent rendition of on the piano." (MG) |
| #7 | |
| Comment: | "Chris Yates wrote the game over riff on his electric guitar. They were pretty impressed by the translation when they came back with my blow-out." (MG) |
tamaskenez:
Wizball with a French touch
nicodaemus:
I was about to give it a very good rating at first, but after a bossa-while of listening to it on loop I've gotten lulled into going for red. I'd be not the least suprised if this was played in elevators around the globe. It sounds just right for that. 😃
LaLa:
Ahh, now, there you go: you can't go wrong using the Eminent. Awesome!
NecroPolo:
😊 This one really made me smile.
Melaure:
Very good job from Reyn, once again!
LieMfB:
Awesome vintage cabaret feel. A perfect example of how great music can be achieved on top of a primitive old beat machine.
omoroca:
I sometimes wonder how you can play so many instruments so well. And where you find all those crappy instruments!😉
Scyphe:
Great images coming from the format here. An old dance hall, 60+ people, a lone old man with a Yamaha keyboard with built-in rhythms. Atmospheric 😊
C64ever:
Good version this.
Boz:
Who can sit still with a bossa nova? When it's done right, anyway. Thankfully, Reyn delivers in his usual professional manner.
Gildan:
It's Reyn, but nothing really outstandingly original here, awesome production as always.
Skitz:
Going for a Very Good on this one as PPOT did something similar on their RunStop Restore Album
condor:
Love that Eminent organ sound… But nothing special for me.